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online xanax scams Nebraska sees Payne return to the realm of real-world problems, and also to the mouth-tinglingly bittersweet form of his earlier road movies, Sideways and About Schmidt — although it moves with a wistful, shuffling, grizzly-bearish rhythm all of its own. Like Schmidt, it plays out across the cash-strapped expanses of the American Midwest, where billboards promise quick cash and no-question loans, but real work is hard to come by. Payne has shot the film in grainy black-and-white, as if even the colour here has been stripped out and sold for scrap.